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Odessa, 1990s, S.Tronov "Dream", paper, pencil, 39*50cm
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Added:
06.06.2025, 15:02
06.06.2025, 15:02
Watching the lot: 1person
Added:
06.06.2025, 15:02
06.06.2025, 15:02
Material:
Pencil on paper
Бумага, карандаш
Condition:
Good
Хорошее
Restoration:
No
Нет
Defects:
Show originalNo
Нет
Location:
Ukraine, Chernihiv oblast, Chernihiv
Payment:
Cash on delivery, Cash payment, PrivatBank, Monobank
Sending lot to: 
Ukraine,
The whole world
Ukraine,The whole worldDelivery:
Nova Poshta, Ukrposhta, Personal meeting Chernihiv (according to the current legislation of the seller's country of residence).
Description:
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Sergey Tronov
Ukrainian artist. He was born in 1940 in Odessa. He began to draw since childhood. His hobby received support in the family, and after graduating from school, he entered the Odessa Art School of M.B. Grekov as an auditor.
Many famous Odessa artists studied in the same course with Sergey Tronov. He was especially interested in Lucien Dulfan for his "strangeness and eccentricity". We all experienced the complexity of training at that time to the fullest. The pressure of socialist realism did not contribute to the development of a creative personality in any way, but the classical academic school was strong, and this became a good foundation laid in the foundation of creativity. The contradictions between socialist realism and the underground pushed the search for new forms of expression of reality.
After graduating from the art school, Sergei Nikolaevich worked for a short time as a set designer in the theater, and then for many years at a film studio. And, of course, the games, roles and masks worn by people in life - all this did not escape the artist's attention. But he managed to put something more into this idea. Sensitive perception and subtle psychologism can be traced in his works. The cycle of works "Masks" is a gallery of human experiences, emotions, fears - an image and symbol of time, has a tragic connotation.
Sergey Tronov
Ukrainian artist. He was born in 1940 in Odessa. He began to draw since childhood. His hobby received support in the family, and after graduating from school, he entered the Odessa Art School of M.B. Grekov as an auditor.
Many famous Odessa artists studied in the same course with Sergey Tronov. He was especially interested in Lucien Dulfan for his "strangeness and eccentricity". We all experienced the complexity of training at that time to the fullest. The pressure of socialist realism did not contribute to the development of a creative personality in any way, but the classical academic school was strong, and this became a good foundation laid in the foundation of creativity. The contradictions between socialist realism and the underground pushed the search for new forms of expression of reality.
After graduating from the art school, Sergei Nikolaevich worked for a short time as a set designer in the theater, and then for many years at a film studio. And, of course, the games, roles and masks worn by people in life - all this did not escape the artist's attention. But he managed to put something more into this idea. Sensitive perception and subtle psychologism can be traced in his works. The cycle of works "Masks" is a gallery of human experiences, emotions, fears - an image and symbol of time, has a tragic connotation.
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Сергей Тронов
украинский художник . Родился в 1940 году в г. Одесса . Рисовать начал с детства . Его увлечение получило поддержку в семье, и после окончания школы он поступил вольнослушателем в Одесское художественное училище М.Б. Грекова.
На одном курсе с Сергеем Троновым учились многие известные в дальнейшем одесские художники. Особенно был ему интересен Люсьен Дульфан своей «странностью и неординарностью». Сложность обучения того времени мы все испытали в полной мере. Давление соцреализма никак не способствовало развитию творческой личности, но классическая академическая школа была сильна, и это стало хорошим фундаментом, заложенным в основание творчества. Противоречия между соцреализмом и андеграундом подталкивали к поиску новых форм выражения действительности.
После окончания художественного училища Сергей Николаевич недолго работал художником-декоратором в театре, а затем много лет на киностудии. И, естественно, игры, роли и носимые людьми в жизни маски — всё это не ускользнуло от внимания художника. Но он сумел вложить в эту идею нечто большее. Чуткое восприятие и тонкий психологизм прослеживаются в его работах. Цикл работ «Маски» — галерея человеческих переживаний, эмоций, страхов – образ и символ времени, носит трагический оттенок.
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