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Konstantin Apollonovich Savitsky 1844-1905. Mintage 3 000
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Added:
23.05.2025, 17:17
23.05.2025, 17:17
Watching the lot: 1person
Added:
23.05.2025, 17:17
23.05.2025, 17:17
Ending
26.05.2025, 17:17:04 +5m
Until the end
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Cover:
The main type of illustrations:
Material:
Paper
Бумага
Condition:
Excellent
Отличный
Restoration:
No
Нет
Defects:
Show originalA bit of a messy cover
Немного грязная обложка
Location:
Ukraine, Kiev oblast, Vasilkiv
Payment:
Cash on delivery, Cash payment, Monobank
Sending lot to:
Ukraine,
The whole world


Delivery:
Nova Poshta, Ukrposhta, Personal meeting Vasilkiv (according to the current legislation of the seller's country of residence).
Description:
Since the seventies of the 19th century, the name of Konstantin Apollonovich Savitsky has been constantly found among the participants of traveling art exhibitions, along with the names of the largest representatives of this trend in art. The appearance of new paintings by the artist was expected by the public with great interest, and often Savitsky's works were in the center of attention of critics. In the reviews of each traveling exhibition and in large summary articles, V. V. Stasov always spoke of Savitsky as one of the most characteristic artists of the Wanderers. I. N. Kramskoy considered Savitsky a loyal and devoted member of the Partnership. Savitsky also played a significant role in the development of art education in Russia as a teacher (in St. Petersburg, Moscow and Penza) and as the founder of the Penza Art School. After the death of Savitsky, despite the fact that his works were in the largest museums of the country, the name of their creator almost disappears from the pages of art history literature and the artist is half-forgotten. This publication presents an essay on the life and work of the most prominent Russian artist.
Начиная с семидесятых годов 19-го века имя Константина Аполлоновича Савицкого постоянно встречается среди участников передвижных художественных выставок, наряду с именами самых крупных представителей этого направления в искусстве. Появление новых картин художника ожидалось публикой с большим интересом, и нередко произведения Савицкого оказывались в центре внимания критики. В отзывах на каждую передвижную выставку и в больших итоговых статьях В. В. Стасов всегда говорил о Савицком, как об одном из наиболее характерных художников-передвижников. И. Н. Крамской считал Савицкого верным и преданным членом Товарищества. Немалую роль сыграл Савицкий и в развитии художественного образования в России как педагог (в Петербурге, Москве и Пензе) и как основатель Пензенского художественного училища. После смерти Савицкого, несмотря на то, что его произведения находились в крупнейших музеях страны, имя их создателя почти исчезает со страниц искусствоведческой литературы и художник оказывается полузабытым. В настоящем издании представлен очерк о жизни и творчестве виднейшего российского художника.
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