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Smelyansky A. Mikhail Bulgakov in the Art Theater.
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13.06.2025, 18:24
13.06.2025, 18:24
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13.06.2025, 18:24
13.06.2025, 18:24
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Material:
Paper
Бумага
Condition:
Condition in the photo.
Состояние на фото.
Restoration:
Not detected.
Не обнаружены.
Defects:
Show originalNot detected.
Не обнаружены.
Location:
Ukraine, Odessa Oblast, Odessa
Payment:
PrivatBank, Monobank
Sending lot to:
Ukraine,
The whole world


Delivery:
Nova Poshta, Ukrposhta (according to the current legislation of the seller's country of residence).
Description:
Smelyansky A. Mikhail Bulgakov in the Art Theater. Moscow: Iskusstvo, 1986, 384 p., 16 p. ill. The binding is hard, regular format.
The book by A.M. Smelyansky examines the history of such plays as "The Days of the Turbins", "Running", "Moliere", the staging of "Dead Souls" and their production on the stage of the Moscow Art Theater. The book concludes with an analysis of the "Theatrical Novel", as if summing up the relationship between Bulgakov and the Art Theater. Chapter seven, called "Ends and Beginnings" in the first edition, was replaced in the second edition by the chapter "Care", which was rewritten with the involvement of new material, devoted to the analysis of the play "Batumi". GH9
Packaging at the expense of the buyer.
The book by A.M. Smelyansky examines the history of such plays as "The Days of the Turbins", "Running", "Moliere", the staging of "Dead Souls" and their production on the stage of the Moscow Art Theater. The book concludes with an analysis of the "Theatrical Novel", as if summing up the relationship between Bulgakov and the Art Theater. Chapter seven, called "Ends and Beginnings" in the first edition, was replaced in the second edition by the chapter "Care", which was rewritten with the involvement of new material, devoted to the analysis of the play "Batumi". GH9
Packaging at the expense of the buyer.
Смелянский А. Михаил Булгаков в Художественном театре. М. Искусство 1986г. 384 с., 16 л. ил. Переплет твёрдый, обычный формат.
Книга А.М.Смелянского рассматривает историю таких пьес, как «Дни Турбиных», «Бег», «Мольер», инсценировки «Мертвых душ» и их постановки на сцене МХАТа. Завершается книга анализом «Театрального романа», как бы подводящего итог взаимоотношениям Булгакова и Художественного театра. Глава седьмая, называющаяся в первом издании «Концы и начала», заменена во втором издании заново написанной с привлечением нового материала главой «Уход», посвященной анализу пьесы «Батум». ГХ9
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