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Divertissement. The fate of classical ballet.
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28.04.2025, 22:00
28.04.2025, 22:00
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Added:
28.04.2025, 22:00
28.04.2025, 22:00
The main type of illustrations:
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Material:
paper
бумага
Condition:
Good
Хорошее
Restoration:
No
нет
Defects:
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Location:
Ukraine, Odessa Oblast, Odessa
Payment:
Cash payment, PrivatBank, Western Union
Sending lot to: 
Ukraine,
The whole world
Ukraine,The whole worldDelivery:
Nova Poshta, Ukrposhta, Personal meeting Odessa (according to the current legislation of the seller's country of residence).
Description:
Гаевский В. Gayevskiy V. Divertissement. The fate of classical ballet. M. Iskusstvo. 1981. 383 p. Hardcover, Regular format. Divertissement's book was published in 1981 and was immediately banned. The reason was the fundamental discrepancy between the author's worldview and the canons and attitudes of late Soviet culture. Despite the ban, the book had a huge impact on an entire generation of intellectuals, going far beyond the boundaries of intra-shop discourse. Today it is obvious that Vadim Gaevsky's Divertissement is an indisputable monument of Russian artistic culture. Vadim Moiseevich Gaevsky is a major connoisseur and researcher of Russian ballet. His long and complex biography unfolded in the theater. He calls pre- and post-war Moscow by their first and patronymic names, and all others by their first names, but this does not prevent him from recognizing our time as no less interesting and significant than any golden page of the past. Vadim Gaevsky is very similar to his books, they convey the liveliness of his conversation, freely running from subject to subject, with unexpected turns, zigzags, jumps. His stories are uninhibited and irreverent. "Divertissement" is one of them.
Гаевский В. Gayevskiy V. Дивертисмент. Судьбы классического балета. М. Искусство. 1981г. 383 с. Твердый переплет, Обычный формат. Книга Дивертисмент была издана в 1981 году и сразу же попала под запрет. Причиной было принципиальное несовпадение мировоззрения автора с канонами и установками позднесоветской культуры. Несмотря на запрет, книга оказала огромное влияние на целое поколение интеллектуалов, выйдя далеко за пределы внутрицехового дискурса. Сегодня очевидно, что Дивертисмент Вадима Гаевского является безусловным памятником русской художественной культуры. Вадим Моисеевич Гаевский - крупнейший знаток и исследователь русского балета. Его длинная и сложная биография развернулась в театре. Прим до- и послевоенной Москвы он величает по имени-отчеству, всех остальных - по имени, но это не мешает ему признать наше время не менее интересным и значительным, чем любую золотую страницу прошлого. Вадим Гаевский очень похож на свои книги, они передают живость его разговора, свободно перебегающего с предмета на предмет, с неожиданными поворотами, зигзагами, прыжками. Его истории раскованны и непочтительны. «Дивертисмент» - одна из них.
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