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A new theory of voice production. Karelin V. 1912
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Added:
11.06.2025, 22:35
11.06.2025, 22:35
Watching the lot: 2people
Added:
11.06.2025, 22:35
11.06.2025, 22:35
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Material:
Paper
Бумага
Condition:
Good. The spine is glued.
Хорошее. Корешок подклеен.
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No
нет
Defects:
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Location:
Ukraine, Odessa Oblast, Odessa
Payment:
PrivatBank, Western Union
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Ukraine,
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Ukraine,The whole worldDelivery:
Nova Poshta, Ukrposhta (according to the current legislation of the seller's country of residence).
Description:
Karelin V.L. New Theory of Voice Production. Composition of the Artist of the Imperial Theaters V.L. Karelin. St. Petersburg: Typo Lit. N.L.Nyrkina. 1912. 222 p., fig. Paperback, Enlarged format. With the addition of the practical application of the theory to all kinds of voices, male and female... The general conclusions of this theory were set forth by the author in lectures given by him in the small hall of St. Petersburg. Imperial Conservatory on March 19 and April 3, 1911... He asserted that "breathing itself does not play an independent role in singing", that there are "other factors that have been overlooked by the modern method of teaching, but play no less important role than breathing" or "breathing itself does not play any role in the production of the voice, for we can breathe according to all the rules of art without making a single sound"... Vasily Lvovich Karelin (real name Pedkov) (1862–1926), opera artist (lyric tenor) and teacher, After graduating from the academy he was a soloist of the Moscow Private Russian Opera, perfected his singing in Italy. He made his debut on the stage of the St. Petersburg Mariinsky Theater in 1891. He was a soloist of the theater until 1909. He went on tour to Nizhny Novgorod, Kiev, Kharkov, Moscow, Tiflis. In 1908-1917 he taught in St. Petersburg-Petrograd, in 1917-1926 in Tashkent, was the organizer of the Tashkent Conservatory, its first director, and then professor of solo singing. He died in Tashkent in 1926...
Карелин В.Л. Новая теория постановки голоса. Сочинение Артиста Императорских театров В.Л.Карелина. С.-Пб. Типо-Лит. Н.Л.Ныркина. 1912г. 222 с., рис. Мягкий переплет, Увеличенный формат. С добавлением практического применения теории всем видам голосов мужских и женских… Общие выводы этой теории были изложены автором в лекциях, читанных им в малом зале СПБ. Императорской Консерватории 19 Марта и 3 Апреля 1911года…Утверждал, что «само дыхание не играет самостоятельной роли в пении», что существуют «другие факторы, упущенные современным методом преподавания, но играющие не менее важную роль, чем дыхание» или «само по себе дыхание не играет никакой роли в постановке голоса, ибо мы можем дышать по всем правилам искусства, не издав ни одного звука»... Василий Львович Карелин (настоящая фамилия Педьков) (1862–1926), артист оперы (лирический тенор) и педагог, После окончания обучения в академии был солистом Московской частной русской оперы, совершенствовался в пении в Италии. Дебютировал на сцене петербургского Мариинского театра в 1891 году . Был солистом театра до 1909 года. Выезжал на гастроли в Нижний Новгород, Киев, Харьков, Москву, Тифлис. В 1908–1917 годах преподавал в Петербурге–Петрограде, в 1917–1926 годах – в Ташкенте, был организатором Ташкентской консерватории, ее первым директором, а затем профессором сольного пения. Умер в Ташкенте в 1926 году...
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