Cauldron from Gundestrup: history of the discovery

On May 28, 1891, in the vicinity of the Danish village of Gundestrup, a discovery occurred that forever changed the idea of ​​antiquity and the relationships of ancient cultures. 12 silver plates decorated with mysterious images, as well as a silver bowl, were recovered from a peat bog. The bowl, as it turned out, was the bottom of the cauldron, and the plates were its walls.

Since the boiler was found disconnected, it had to be reconstructed. The traditional order was determined by Sophus Müller, the first of many archaeologists to analyze the Gundestrup find. In their final form, the plates were arranged in alternating female and male images. However, not everyone agrees with Mueller's order.

Scientists still cannot determine the exact date of creation of the cauldron, but its craftsmanship and the complexity of the ornament indicate a fusion of different cultures. Elements of Gallic and Thracian symbolism can be seen in its patterns, indicating possible contacts and exchanges between these ancient societies. Attempts to link the cauldron to Celtic mythology are also controversial.

The find was tentatively dated to the 1st century. BC e., and attributed to the late La Tène culture.

Each of the outer plates of the cauldron is decorated with images of deities and symbols, where the differences between male and female figures are clearly visible. Particularly noteworthy are the images on the inner walls of the cauldron, where the interaction of deities and animals can be traced.

The most mysterious scene is at the bottom of the cauldron. The focus is on a bull frozen in its death throes. A female figure in armor rises above him, holding a raised sword. There is ivy under the bull. Scientists speculate that the animal once had horns, possibly made of gold.

The origin and purpose of the boiler remain a topic of deep debate among scientists. Its complex motifs and symbolism confirm that it served not only as a functional object, but also as a carrier of mythological and religious meanings for its creators.

After discovery, the cauldron was transferred to the National Museum of Denmark.